At the start of summer every year, I like to kick off the celebration of no schoolwork and limited obligations with something that has practically become ritualistic for me: compiling a summer to-do list with so many things on it that it is implausible and unfeasible to accomplish all of them. It’s not some sort of optimistic gesture where I think, “Oh, I’ll just add way too many things and that will push me to finish/accomplish at least a handsome percentage of the them,” but more due to something I have termed the “Spring Break Fallacy.” It is the exaggerated perception of time that one gets at the beginning of any school break, wherein three months seems like a year, one month seems like six, and one week seems like three months. It is dangerous only insofar as “biting off more than you can chew” in terms of goals and expectations. And it happens to me EVERY school break.

Of course, me writing about it right now shows that I recognize and acknowledge this, so from now on I will purposefully give myself unrealistic goals that I have no means of completing in such a short time. Hence, this post, where I can publicly release my expectations for the summer and then come back and laugh at them in the fall when I realize I didn’t accomplish anything. Actually, – and you should know this if you’ve been listening to my podcast recently – originally I was supposed to be in China all summer, but in the end that plan fell through. This was mainly because a) most of the other people going on the trip I didn’t know or didn’t get along with, and b) calculating in the rent for my stateside apartment, the cost of the trip would be in excess of $10,000, money I do not have and would rather put toward a semester in college. The only reason I am heartbroken about this is that, in the midst of  dilly-dallying with the logistics and paperwork for this trip, I missed a much more rare opportunity to travel to China on a separate trip this summer with one of my favorite professors and some really good friends from Point for a significantly smaller amount of money. One of my mottos in life is “no regrets,” but I can’t help but sigh when thinking of missing out on this for something else that didn’t even work out anyway.

Regardless, this summer still holds some interesting possibilities, and I think it will be better than last summer now that I’ve moved from working at a video store to working for a professional television station. It’s a better prospect given that my work in television affords me the luxury of not having to deal with irritating, annoying customers and offers dynamic, interesting work, as opposed to the video store, where I was doing the exact same thing every day I worked. This also means I can get my nights back, since working at a video rental store automatically entails working night shifts almost exclusively. You can probably guess that business isn’t booming for video rental at one in the afternoon, aside from little kids renting Halo when they should be outside amusing themselves. At least, that’s what my friends and I did back in “the day.” Oh, how the times have changed!

Anyway, enough rambling, here is my to-do list for this summer (sadly, this probably isn’t even comprehensive):

1. Three Months, Three Films – Making three films (one film per month) with my friends to make up for our lack of activity on the film front for the past few years. So far, we’re trying to make a sequel to our action film from 2007 as well as that romantic comedy we never made last year.
2. Mandarin practice – Over winter break, I didn’t do any language practice, and I was rusty at the beginning of second semester Chinese. Some self-study is called for over the next three months, be it learning dirty words, embarrassing myself by talking in Mandarin on the internet, or just listening to Pimsleur and practicing 写汉字.
3. Summer classes! I finally decided to do something academically productive over the summer and signed up for some distance learning courses through UW-Eau Claire, since they are substantially cheaper than most of the other UW institutions I looked at. I’m learning about international politics in June and microeconomics in July.
4. Writing and performing music – I’m always writing music, regardless of the season, so that will continue. Hopefully Central Plaza will release some more singles or perhaps an EP before summer’s end. Apparently I’ve also been conscripted into playing keys for my dad’s new cover band.
5. Podcasting and writing blog posts on the regular. Auspicious Objects often gets neglected (the last post on here was written months ago), which is sad, since I do enjoy writing, but rarely have the time or motivation to do so during the school year. Therefore, I would like to see to it that this site gets a healthy amount of posts over the summer and into the fall. Stationary Joystick and possibly The Gentlemen’s Agreement will have a steady output of episodes as well, I hope. I’m too much of a closet narcissist for them not to.
6. Journey to New York, D.C., and Maryland. Heading out to hook up with some friends I made this year at school, and of course Jackie of Twinkie Beyond fame and Aaron of Three Guys Walk Into a Bar fame.
7. Journey to Stevens Point. Naturally, an adventure (perhaps more than one) to Stevens Point is pretty much mandatory, to hook up with the old crew and get my fill of local favorites, those being Belt’s ice cream, Green Tea Chinese cuisine, Gyro House gyros, and Wooden Spoon sandwiches.
8. Reading a lot of books and watching a lot of films. My newfound appreciation for university interlibrary loaning has opened up an entire new world of books to read for free (!), and I plan to make good use of my Netflix membership this summer as well.

…That’s what I’ve got right now. Looking at it, perhaps it’s not so much, though finishing three films will be an interesting challenge. What do you, my three readers, have on the docket for this summer?

But there is a first time for everything.

My esteemed colleague Matt (whom you may know from his acting career in short films or from certain podcasts) asked to borrow my mixing equipment for a school project, so I walked down the street to his apartment, expecting to stay for only an hour or two; after all, I still had homework to finish before the next day. While I was over, another friend texted me, certifying the unthinkable: We were going to have a snow day. Now in a celebratory mood, and with newly extended deadlines to finish that homework by, Matt and I cracked open some beverages from Point Brewery and enjoyed an absolutely terrible film starring Dolph Lundgren (I know, I know, it’s redundant to put the words “Dolph Lundgren” and “terrible film” in the same sentence) entitled Dark Angel (alternatively I Come In Peace). It’s basically an early ’90s action film about an alien from outer space who comes to earth and says “I come in peace” before injecting random innocents with a lethal dose of heroin and then sucking endorphins out of their head. It’s almost as good as Showdown in Little Tokyo, another Dolph Lundgren classic. After the credits rolled on that cinematic masterpiece, we decided to hit the snow-filled streets at midnight on foot.

The weather, although inclement, was unusually comfortable for a Wisconsin winter; it was not too cold outside, and there was almost no wind. Although the streets were eerily quiet and devoid of life (even for midnight on a Tuesday evening), it didn’t take long before we stumbled upon a group of strangers crafting large snowmen in the parking lot across the street from my apartment building. We observed right away that the snow already on the ground was perfect for packing, easily allowing for the creation of perfectly symmetrical snowmen and giant snowballs.

While the atmosphere of camaraderie felt good, we decided to move on, as 1) people were only marveling at the snowmen they had already made, not creating new ones, and 2) no one was talking to us anyway. So we headed up towards the lake and onto Langdon Street, the “Greek row” of the campus. Before we had even gotten close to the epicenter of action, we could already hear the sound of people yelling, cheering, and just making noise in general. As we got closer, we saw large crowds on either side of the street hurling snowballs at each other.

It almost felt like a war zone. People did not seem good-natured about their artillery firing, but instead rather malicious, as though they really wanted to hurt someone on the other side of the street. This impression was confirmed when a guy emerged from the crowd and ran up to Matt and I. He tried to sway us to his cause with this utterance: “Look, I don’t know if you guys hate Sigma Chi or not, but FUCK THEM! Help us hit their flag!” After we feigned interest and told him we would help him, he seemed appeased and quickly ran away, probably to “persuade” more neutral parties. Sigma Chi is best-known on campus for things other than philanthropic work, but I myself am neutral in my opinion of them, because I don’t really care about Greek life – unless, of course, we’re talking about PCU (great movie, by the way). Since the environment was so hostile, we decided to move on and head towards the center of campus. Neither of us had experienced the traditional snow festivities on Bascom Hill, and there was no better night to see what it was all about.

Luckily, Bascom Hill was a lot more fun to be at than Langdon Street, as everyone was just out to have a good time, not pelt a frat house with tightly-packed snow projectiles. All along the hill people were engaged in a light-hearted snowball fight, and thankfully, sticking to the sidewalks on either side of the hill ensured you wouldn’t be caught in the crossfire. I decided that this was the perfect opportunity to try that college tradition of tray-sledding for the first time, using an abandoned tray Matt had picked up while we were on Langdon. In spite of Bascom Hill being frighteningly steep, there was too much friction on the sidewalk for the tray to slide effortlessly, and I ended up doing that pathetic motion where you try to give yourself momentum by scooting on the “sled.” But still, I can now at least say that I tried tray-sledding.

My fingers started to get bitterly cold, so we made our way away from campus and back home, but not before stopping for some Silvermine Subs at 1:30 in the morning, which were delicious, as expected. It was especially entertaining to watch people pelt each other with snowballs right outside of the restaurant the entire time we were eating. Matt and I got back to his apartment at 2 AM, and, after watching some episodes of QI and Look Around You, finished a successful evening up with warm apple cider and Christmas music courtesy of Pandora Radio. We also went outside again to help a girl park her car in the snow. Since her car battery was dead, however, there was more pushing than parking going on, and even though the car was still sticking out into the street when we were finished, one of the other good Samaritans who helped pointed out, “if someone manages to hit your car in this weather, they’re just a douchebag.” I can think of no better situation to illustrate human kindness than a couple of dudes helping a damsel-in-distress with her car troubles at 4 AM on a snowy Wisconsin street. Even after witnessing incident after incident that evening of hateful snowball throwing and gratuitous use of homophobic slurs, this philanthropic act left me with hope for the human race. Snow days help bring people together.

Side Note: Although I am often very critical of The Badger Herald (as I am with other student newspapers), writer Carolyn Briggs penned a nice front-page article today about the annual snowball fight on Bascom Hill, which is written as though the fight were an epic military battle. It’s amusing, and worth a read.

Frankly, failure to recognize this woodblock print should be declared “unamerican.” Of the many woodblock reprints adorning my apartment walls, The Great Wave never fails to elicit a response from visitors. I knew Hokusai’s legacy was far-reaching when a tipsy friend attempted to hug my framed reprint, saying “I loooove this.” There is, of course, a lot more to the world of ukiyo-e (yes, I did just say “the world of the floating world”) than just Hokusai, but he’s a good starting point given his popularity with Westerners. Still, the COFAC series will look at the broader picture, and even includes some related film showings and a Kabuki (!) workshop. Here’s a brief overview of the event schedule:

October 26: Exhibition opening reception

October 29: Drew Stevens, Curator of Prints, Drawings and Photographs at the Chazen Museum of Art Lecture: Printmakers in Edo

November 1: Japanese Film Festival: Kwaidan (1965) Masaki Kobayashi

November 5: Dr. Larry Ball, Art Historian, Department of Art & Design, UWSP Lecture: Admiring the Sunrise: Japanese Woodblock Prints as seen by 19th century Europeans

November 6: David Furumoto, Associate Professor of Acting, Department of Theatre and Drama, UW-Madison
Lecture Demonstration: The Path of The Onnagata-Male to Female

November 7: David Furumoto, Associate Professor of Acting, Department of Theatre and Drama, UW-Madison
Interactive Workshop: A Kabuki Primer-A,B,C’s of Performing Kabuki

November 8: Japanese Film Festival: Double Suicide (1969) Masahiro Shinoda

November 11: Dr. Julie Davis, Art Historian, Department of the History of Art, University of Pennsylvania
Lecture: Appraising Desire in Ukiyo-e: Representations of Courtesans in Late 18th-century Japan

November 15: Japanese Film Festival: Ugetsu (1953) Kenji Mizoguchi

November 17: Junichi Semitsu, Adjunct Professor of Law, University of San Diego School of Law
Lecture: The Race to Erase: Reflections on a ‘Post-Racial’ Society.”

November 18: Yuji Hiratsuka, Professor of Fine Arts, Department of Art, Oregon State University
Lecture: “Persona Perspective: Prints by Yuji Hiratsuka”

November 20: Exhibition closing reception

There is something for everyone here, and I think the diversity of events will help draw in even students and members of the public that aren’t particularly interested in or familiar with ukiyo-e; exposing such people to Asian culture is one of the cornerstones of East Asian studies. My hope is that, if the series goes well (and I expect it to), it will lead to increased interest in the creation of an East Asian studies department at Point – talented faculty in this field are already teaching in diverse subjects (art history, history, geography, etc.) there, so it seems only natural to begin offering a degree program some time in the future. Were I still a student at Point, you can bet I would have been at every event listed, but now that I live in Madison, I’m unfortunately going to have to be choosey. I have a night lab on Wednesdays, so the Julie Davis and Yuji Hiratsuka lectures are out. I’d certainly like to see the Drew Stevens lecture, but I’m not sure it would be worth driving an hour and a half on a Tuesday night to see someone who works at the Chazen, which is 15 minutes walking distance from my Madison apartment. It would be worth it just to be in the company of good friends, I suppose. I was excited to hear that the film selection and screening process is being handled by my old film professor, Leslie Midkiff Debauche, who has an eye for good cinema. On a related note, I recieved a message on my Facebook wall yesterday from a friend and coworker at the video store who is currently in her freshman year at the University of Minnesota:

When you started taking film, did you go through the silent ones? I’m to my mid-term and we’ve only seen one film with sound.

Here is my response, worthy of inclusion on this blog simply because of how overwrought it is for a Facebook wall post:

Unless you’re specifically taking a “classic film” class, I think an intro course should be more encompassing than that. Film has evolved, of course, and it’s important to think about all of the elements and methods modern films are composed of and made from – mise-en-scene, cinematography, colors, lighting, sound, etc, and also how different cultures affect how these are used. If I remember correctly (this was two years ago), we didn’t watch any silent films in our class. Some of the ones we watched included “North by Northwest”, “Strangers on a Train”, “Rear Window”, “Casablanca”, “Apocolypse Now”, “The Mission” (a Hong Kong film), “The Birds”, “Shadow of a Doubt”, “The 39 Steps”, “Broken Flowers”, “Goodfellas”…They are pretty varied from each other in a lot of ways (even though a lot of them are Hitchcock productions), and each one helped our class explore different facets of film.

I will have to go more into my freshman “Introduction to Film” class sometime, but if you are still in college and need a humanities credit, give some serious thought to enrolling in a film studies class. A good professor will be able to assemble a syllabus featuring films that broaden your understanding of cinema worldwide and captivate your imagination. And if you have a bad professor who can’t do this, you still get to watch movies in class. You win either way!

Before I wrap this post up, I thought I’d share another ancedote about learning Mandarin, because I’m sure my poor foreign language skills are fodder for hilarity. I showed up to the UWSP Chinese Culture Club’s Moon Festival last weekend with hopes of eating way too much moon cake and watching a play where guys played girls and girls played guys (no explanation was ever given for that use of artistic liscensing). Unfortunately, by the time I got there things were wrapping up, and while I still got some moon cake, I missed out on most of the night’s festivities. Bummer. I sauntered over to a table where CCC members were writing people’s names on paper with calligraphic brushes and requested that my Chinese name, 八大山人 (Badashanren), be written. My name is taken from a famous Chinese painter of the Ming/Qing dynasties, so I thought it’d be pretty easy for them to understand my bad Mandarin accent. For those who aren’t aware, Mandarin is a tonal language, and how you say words affects their meaning. Thus, tones are very, very, very important. The guy behind the table asked me to repeat my name a few times, and I realized that this probably meant there was a problem with my pronounciation. Props to him though, because he soldiered on and struggled to write out what he thought I said:

After he finished, all of the other Chinese students gathered around the table looked quizzically at the paper. One girl said, “Hmm…that doesn’t make any sense.” This “name” is a noble interpretation of what I said (even though it’s gibberish), and I fully attribute the misunderstanding to my poor Mandarin skills. The problem here is that these characters – “巴”, “上” ,”文” – are homophones that correspond to words in my name. See? Tones are not to be underestimated! Luckily, this incident didn’t involve me accidently offending anyone by unintetionally saying something bad. I asked if I could try using the calligraphic brush, and the students running the table were awesome enough to let me. Here’s my actual name in my calligraphy:

As I produced each stroke, everyone gathered around the table spoke out each syllable as I finished writing them – “Ba…da…shan…ren!” The Chinese students seemed impressed, and congratulated me on my writing. Of course, “Badashanren” is composed of really simple characters with only few strokes, so the real challenge is going to be doing some more complicated calligraphy next time.

This post, however, will be a little mix of film talk with diary talk. The fall semester started last week and the transition back to school life has been slightly tumltous, being that I’m at a new university, but adjusting has been easier than I originally predicated, thankfully. Since I have some new gen-ed requirements to take care of, I have a few classes that are mostly made up of freshmen students, and I feel a little old. It’s hard to believe I am a junior already! I think, now that [most of] my friends and I are twentysomethings, we have reached the start of the stage in life where time passes you by without you realizing it. Time is a constant, but sometimes it doesn’t feel that way when you look back on your memories. Maybe time just goes faster as you get older because you wax philosophic about it more than when you’re young. Not that I think I’m really that old, but situational factors sometimes make me feel ancient. For instance, last Thursday evening my friend Jess had a party in her apartment to celebrate her turning 19. I’m a stone’s throw away from being 21 (in October), but I was, of course, surrounded by freshmen a few years younger than me who were still green to the dorm experience and college life as a whole. They were donning gowns for graduation only a few months ago…

As for the classes themselves, I can’t comment too much on them so far. We started the semester a week before labor day, which screwed things up schedule-wise. Being that I have Mandarin everyday, however, I already have proper expectations for what it will be like all semester. We’ve been having fun, but there is an air of precariousness looming over everyone, which is well summed up by this conversation I had with some fellow classmates yesterday:

Classmate #1: So, we’ve lost a few people since we started.
Classmate #2: Yeah…
Me: I remember a dude who was here in discussion and lecture the first day. I haven’t seen him since.
Classmate #1: He must have dropped.
Classmate #2: Smart guy.

Besides the fear factor, Mandarin has robbed me of a Friday without classes. It’s a small complaint, but when all of your friends have Fridays off and hang out well into the night on Thursdays, you can’t help but feel left out. It will be the same situation next semester. Maybe I should try to convince my friends to take Friday classes. Misery loves company.

That’s about all I have to report, but I’d like to start sharing some “great moments in cinema” on here. I figure that even if you don’t get anything out of my foreign film reviews, you might be able to appreciate small clips of what I find to be memorable moments from the foreign films I partake in. Most people walk out of the theater after a movie and have a few distinct scenes stuck in their mind – I’d like to share these types of sequences. And, when we’re talking about film, images and sounds are always going to be more emboding and impacting than words.

To kick off this informal “series,” here is the “40 Steps Murder” sequence from the 1999 South Korean picture Nowhere To Hide. Nowhere To Hide is not only an archetype of the Korean New Wave movement, but also a complete embodiment of the “style over substance” mentality – much in the same way that the later City of Violence is. While Nowhere To Hide is devoid of a plot (try finding one if you watch it), it’s action and montage sequences are thoroughly entertaining and make up for the lack of things like character motivation and logicial story progression. In particular what stands out in the minds of many viewers is, in fact, the opening sequence of the film, where the murder that fuels the rest of the film is committed.

While the entire film oozes style of this sort, the 40 Steps Murder is memorable for it’s vivid color scheme and the underscoring provided by the Bee Gees’ early melancholic hit “Holiday,” which is an interesting and powerful choice since the song seems neither happy nor sad. “Holiday” is used again (in orchestrated form) to score the climactic fight at the end of the film, but sadly it’s magic is not replicated in that sequence, and it’s use comes off as a weak and forced attempt to make it seem like a leitmotif of the serial killer. Still, the hindrance of the ending does not in retrospect dilute the awesomeness of the opening.

After that overwrought last post, it seems I’ve been unmotivated to write in this online journal of mine. But after the denial of service attacks on Twitter yesterday and John Hughes dying, I felt there was only one thing I could do: dance. And then come on here and write a little bit.

This past weekend, my cousin Matt got hitched, and at the reception, I realized something about myself: I do not enjoy dancing when other people around me are also dancing. As hard as I tried, I could not rouse myself to go crazy on the dance floor at the reception, though that probably also had something to do with the DJ playing terrible music the entire time. Still, I was complimented on my performance during “You Spin Me Round (Like a Record)” by Dead or Alive.

This epiphany led me to appreciate one of my favorite past times, dancing at work, much more than I used to. The music video for “Canned Heat” by Jamiroquai has been playing on the TVs in the video store this month, and while my dancing is not as crazy as Jay Kay’s, I’ve been busting a move every time it comes on. Dancing is so much more rewarding when everyone around you finds it either confusing or inappropriate.

Recently I received a complimentary issue of a particular student newspaper in the mail. On the front page was a large picture of a group of “incoming freshmen” sitting on the lawn in front of one of the university campus’ landmarks during freshman orientation. Since it wasn’t an official university photograph, no one in the picture was smiling, or even pretending to have fun. In a way, their collective expression of unhappiness seems like a conscious effort, as if to forewarn future freshmen that will be in their shoes, not just in the coming months, but also next year, and the year after that, and so forth. The realization that freshman orientation isn’t typically a pleasant experience does not take long to sink in; most universities open their orientation sessions (which often span two days) with a speech presented by a figurehead of the institution that no one in the room will recognize.

And the long, arduous speeches continue throughout the day. But is orientation as useless as many seem to think? Well, for some, it provides a safe opportunity to make friends and acquaintances before move-in day. On the flip side, this can be dangerous and potentially damaging to your freshman experience, because it’s hard to gauge who you will get along with and who you won’t within the span of a day or two. It’s kind of like the aforementioned move-in day, when you decide to meet everyone on your floor in the dorm. Sure, you may live next to someone who could eventually become your best friend at college, but what if the guy one door further down is a complete asshole? What if you and your roommate accidentally attract the attention of a pathological liar, or a narcissist who talks about him/herself for hours on end? You could be in for a rough living situation. If you and your orientation friends don’t end up in the same dorm building and if you’re not in the same major, you may not stay friends for very long. I myself made many “friends” at orientation, none of whom I kept in contact with once starting school.

On the other hand, freshman orientation is great real-world job experience, as it is basically the same thing as corporate teambuilding sessions (that is to say, no one wants to be there except for the people organizing it). How many icebreakers can one endure in one day? Why is time moving so slowly? Do I really care about the ice cream flavor of choice for the guy sitting next to me? Did I really pay money to be here?

…And now some stuff for everyone interested in me.

Thankfully, I had a much more pleasant experience with my transfer orientation last week than I did with my freshman orientation two years ago. Neither of my parents could come (just like last time), so I was dropped off in the morning and promptly started limping my way to the building I thought I was supposed to be in. I limped across a very long and empty corridor and met a man standing at the other side, who told me I was in the wrong building. Wah wah wahhhhh. Eventually I did reach the building where the festivities were being held after stalking following another student and her mother. I got my name tag and sat down in a very large lecture hall filled with other transfer students.

I noticed that almost no one in the room seemed to be talking to anyone else, unless they were with a friend they already knew or with their parents. It was a radical departure from the outgoing and eager nature many people displayed at my freshman orientation. I don’t think this is to be attributed to a collective shyness; rather, we all had the transfer student mindset, and were more cynical at the prospect of making friends at an orientation session. I decided that I would make an earnest attempt to become acquainted with at least one person. At first I was going to “cheat” and find someone else who attended Stevens Point, but I quickly realized this was futile. I think I may have been the only person from my school there that day. At our speaker’s urging, everyone in the lecture hall turned to their left or right and made awkward conversation with the person next to them. Mine went something like this (note: I don’t remember the guy’s name, so let’s call him “Kyle”):

Me: Hey, I’m Dave. What’s your name?
Kyle: I’m Kyle. I’m transferring from Marathon County.
Me: Marathon County? That’s pretty close to Stevens Point, where I’m coming from.
Kyle: Yep.
Me: So, I suppose you’re transferring because Marathon County is a two-year institution?
Kyle: Yep.
Me: That makes sense. It would be kind of bad to go through two years of schooling and just stop without a degree.
Kyle’s Mom: (Laughs)
Me: (Thinking to self) I’m glad my poor and awkward attempt at humor has actually induced laughter. Oh wait, she’s probably just humoring me.

While “Kyle” and I did have a nice “chat”, I feel there was an unspoken acceptance between us that we would never be friends. We were just two guys forced into a situation requiring cooperation. Such is the social networking selectiveness of a transfer student. After the speaker was finished, everyone was divided up according to the college they were planning to enter, and the colleges split off from each other. I personally rep the College of Letters and Science (what what!), so naturally I went with them. Further information on breadth requirements and registration followed, so let’s fast forward to the “free” lunch, two hours later. The “free” lunch was a much-hyped break from class registration. All of the orientation staff referred to it explicitly as the ”free lunch,” which leads me to believe there is a stipulation in their contract that says they must always include the word “free” before mentioning lunch. Still, this exchange took place between me and an orientation peer mentor:

Peer Mentor: We’re going to the free lunch in five minutes.
Me: So I guess there really is such a thing as a free lunch?
Peer Mentor: (Frowns) Well, actually, I think part of your orientation fee is for your lunch.
Me: …Oh.

Yes, I was all about the bad humor and corny jokes that day. Regardless, the “free” lunch offered another social opportunity to meet other transfer students in the same boat as me. At the very least, it offered an opportunity to eat lunch outside on a beautiful day. I aimlessly wandered around the area where everyone was eating and picked a random table to sit at. I sat down and realized that the guy next to me, like the first guy (Kyle), was from Marathon County. Small world. The girl across the table from me was from Waukesha, which is in the same part of Wisconsin as my hometown, so that provided some conversation fodder as well. I switched on my extrovert personality and moderated the discussion between the three of us, inadvertently leaving out another guy who was also sitting at the table. Eventually, an orientation staff member invited herself to our table and interrupted the conversation. I think her job was to moderate lunch table discussions, but I was already doing well with that, so she relinquished herself to mostly listening. Our conversation was fairly Wisconsin-orientated, and since she was from New York, we had to divert course to more general collegiate topics. Did I mention my sandwich was hard as a rock? I think I could have removed my own wisdom teeth if I had jammed the bread far enough into my mouth.

After lunch, I enrolled for my classes at precisely 1:00 pm, and a few signatures of approval later, I was sent on my marry way. I definitely appreciated the “cutbacks” the university applied to the transfer orientation program. To apply the mandatory bad analogy, it fit like a well-tailored suit. So what have I learned? Well, I learned that orientation isn’t painful as long as it is preceded by the word “transfer” instead of the word “freshman.” Also, I learned that transfer students are innately cynical, but that’s just our nature, as influenced by our environment and situation, unique to us as a group on campus. We rule.

Last week, I was going for a morning run with my brother. We started running together a few weeks ago, neither of us with any prior running experience, bar “the mile” back in middle and high school. Things had been going well considering we never consulted anyone regarding how to run correctly (which is kind of stupid since we have cousins that work at Fleet Feet in Madison), but on this particular day I felt a sharp pain in my foot as we started jogging down the street. Rather than say anything, I shrugged it off and continued to run. 25 minutes later, and near the end of our “course”, we ascended a steep hill with a large incline, and suddenly the pain in my foot worsened ten fold.

After “cooling down” to walking pace, I began limping and walking soon became an arduous task in and of itself. Cut to yesterday when I finally went to the doctor (one week after injuring myself) and was diagnosed with achilles tendinitis, which Wikipedia claims is “common among athletes training under less than ideal conditions.” That sentiment makes me feel like some kind of backyard hero, a sort of underdog in the running world who fell from glory because of situational causes. Realistically though, this is the result of my own stupidity, and besides, Usain Bolt probably trained in an even more hostile environment than me, and look at what he has accomplished.

I can’t help but feel this is karmic retribution for me making fun of my boss, who recently jumped off of a balcony and broke his foot while intoxicated. There was simply too much comedic potential in the situation to restrain myself. So now, for the time being, we’re both limping. There’s an upside though; I can pretend I’m Brother Mark from A Better Tomorrow.

That’s me, out for vengence.

I think I need to start a list of awesome things that happened in 1988, my birth year. After relistening to some of Thomas Bangalter’s early house releases, I dug deeper to discover that the basis of one of his singles stems from a song by Slave, a funk band that found success in the late ’70s but then quickly lost said success in the ’80s. “Because of You”, released on the album Slave 88 (which came after the popularity of the band had faded) is pretty standard funk ballad affair, but it’s charming nonetheless. 

I enjoy the song, but I could do without the cringe-worthy sappy spoken word lyrics (“All I can say is, you’re mine, forever”). My favorite aspect of “Because of You” is the harmony on the words “together” and “forever”; Bangalter has an ear for sampling, and his choice of this three-second section (which forms the basis of his track ”Together” with DJ Falcon) is indicative of his talent.

A few days ago, I was with my friend Beth at a restaurant (that’s not us pictured above) and we were engaged in a conversation about what we had been up to lately; last week, she began working at a clothing store located within a mall in Madison. She said that there was little patronage in the store and the owners were quite lax about what their employees did while working. Being a hobbyist filmmaker, that struck me as an opportunity for a filming location. “Why would we film in the store?” she asked. I’m a Hong Kong cinema fanatic, and Hong Kong filmmakers are well versed in making virtually any location interesting on film. I figured this would be a good opportunity to try my hand at a similar practice.

I didn’t have to craft a story around the store. When I was a senior in high school, I had an independent study period where my goal was simply to produce some short films and music videos. Initially, I had planned on filming two separate stories: Hostile Takeover and Love In Translation. After writing and revising a script for a month, we managed to (sort of) film Hostile Takeover, the production of which was plagued with problems. Since that turned out to be such a headache, I scrapped the idea of completing Love In Translation before the end of the school year. In Hollywood, that would be called placing it in “development hell.” Two years later and my vision for a romantic comedy still hasn’t been realized.

Yes, Love In Translation, if you hadn’t already guessed by the title, is a romantic comedy. It is a bit strange that I’m trying to make one, being that I don’t care much for rom-coms (even those made in Hong Kong). I think that the genre is somewhat destructive from a social psychological perspective; I’ve met many a girl who has crafted her idea of relationships around the falsehoods propagated by these popcorn flicks. Not only are most romantic comedies formulaic, but the formula they all derive from is absurdly unrealistic. Probably the most horrifying experience I’ve had with them is the time that I went with some coworkers to see He’s Just Not That Into You at the movie theater. The underlying theme of the movie seemed to be that men are all assholes; every time this was brought to light saliently within the film, the women in the theater (that is, everyone in the theater besides me and my friend Dave) applauded wildly. I sunk into my chair.

Another message of the film was that “if a guy likes you, he’ll make it happen.” And if a guy doesn’t like you, he’ll like you eventually anyway. Huh? That’s not quite how things work in real life. Of course, movies are supposed to be escapist adventures from mundane life, but they should at least make it interesting. The combination of rom-com prophecy and romance self-help books is even more deadly. Books that claim to help one find romance are operating under the fallacy that every member of a particular sex can, and is to be, courted in the exact same way. Obviously that’s not true, and that’s why no one in a relationship got there by acting on advice from the printed page. On that note, however, I recommend checking out The Art of Seduction by Robert Greene, which is an interesting read, along with his other books.

So, because of my contention with romantic comedies, I’m not looking to any as a source of inspiration for my own movie. Instead, I’m trying to model my script on one of my all-time favorite films, Chungking Express by Wong Kar-Wai (pictured above). In some ways, I’d like to draw parallels between Madison and Hong Kong, and between the Midnight Express food stall in that film with our own clothing store location. When I’m planning a movie, I also try to pick out specific songs (which may or may not make it into the final cut) that illustrate specific moods I want to convey at certain points. When I was making Hostile Takeover, I was listening to a lot of Italian disco and Depeche Mode; the film ended up being set in the ’80s, and had a certain dark but cool vibe to it (that’s what I was going for, at least). And so, here are some preliminary tracks that I’ve had in mind for Love In Translation. Let your imagination run wild with them:

• Turn My Head by LIVE.
• First Of The Gang To Die by Morrissey.
• Language of Love by Dan Fogelberg.

Credit for the screenshot goes to LoveHKFilm.com.